I thought I would publish this post in an effort to re-engage with my so called digital sketch book. This piece, titled The Grapes of Laugh was made whilst I was living in New York in 2015 and undertaking a particularly life altering workshop, Functional and Intuitive Art with artist Genesis Breyer P-Orridge.
I have been attempting to process my experience during this time for the last four years now, and failing! I have a blog post in my drafts on here that I hope to finish at some point but I have no idea when that will happen,
This particular object serves as a reminder to be happy or perhaps more accurately it acts as a conduit for happiness. Due to its interactive ability; the lid can be opened or closed, happiness can be contained or allowed out so you can get a quick dose of it. The glass grapes were bought in China Town and signify prosperity and ov course the air bnb I was living in had a stained glass sticker of grapevines on the window in the bathroom.
I recently had a job interview where I had to bring an object and talk about it. I chose this item and in order to transport it had to close it up. I am NEVER doing that again……. The normally stressful, but manageable journey was absolute hell, even involving a rush hour crush and a spider, and I had to reschedule the interview.
I did actually get the job in the end though, perhaps because the grapes were returned to their rightful open state during it. Needless to say I’m never closing it up again!
In this post I will be talking about The Croatian Association of Naive Artists.
Last summer I had the pleasure of visiting the Mirko Virius Gallery in Zagreb, Croatia. The artist’s exhibited at the gallery are all Naive Artists, in the sense that they have had little or no formal artistic training. They also adopt their own creative style which is normally characterised by its childlike or ‘naive’ quality. Proportion and more importantly, realism is not the focus of these works, yet the simplicity and imagination of these works somehow presents a truer reality.
Sometimes formal training can remove the wonder and true creativity of the practitioner, or it can insert certain ideas and concepts into the artist’s mind and force their hand into a certain discipline or style.Whilst it is great and necessary to learn about what has come before, sometimes creativity needs to come from deep within the artist, without any restraints.
The gallery is named after Mirko Virius, a peasant and self-taught painter who became a forerunner of Croatian Naive Art after participating in the First Exhibition of Peasant Painters. Despite only being an active painter for three years (1936-1939), his paintings captured the politics behind social themes in paintings such as The Beggar, The Plowing and The Overturned Cart. Virius was arrested during World War II due to his political activities and taken to a Nazi concentration camp in Zemun, Serbia, where he died in 1943. His tragic fate was immortalised by his friend Generalić, who painted The Death of Virius, one of his most famous paintings.With these events you can begin to see just how important a role naive art has played in Croatian history.
I feel more of an affinity myself towards Naive Art, or Outsider Art, in the sense that even though I have an arts education background I do not feel that connected to the mainstream art world. I create work purely because I cannot imagine not doing so and I create work primarily for myself.
I am also including a link to a good friend of mine’s blog. Clare Brown is currently living in Split, Croatia (I’m not jealous at all…..) and has written a piece about her visit to the Croatian Museum of Naive Art (which is just up the road from the Mirko Virius Gallery).
After doing a DIY Workshop last year through the Live Art Development Agency I decided to apply for another workshop this year. The one that really caught my eye was run by performance artists The Famous Lauren Barri Holstein and Martin O’Brien.
Along with fellow participants Katy Baird, Sophie Cullinan, Ria Hartley and Emelía Antonsdóttir Crivello, the idea of the superhero as a catalyst for performance making was explored. My boundaries were well and truly pushed from the get go as we learned hip hop dances, frolicked in washing up liquid (not that I could let go enough to do much frolicking!) and recited Hamlet to the tune of twinkle twinkle little star.
I learnt a lot about myself over the three days, particularly about my attitude to success and failure. The tasks were specifically hard for me as I operate under the assumption that there is a right way and a wrong way to do everything, that I need to constantly be in control of myself and my surroundings and on some perverse level enjoy constantly telling myself that I am doing it all wrong and failing. The workshop helped me to see how ridiculous these notions are and that the most interesting situations that open up a dialogue revolve around things going wrong, almost reaching their goal but not quite and just generally failing.
The three days were finished off with a photo shoot in which we show-cased our developed superhero characters. Mine was Kyphosisa (Kyphosis being the medical term for a hunch back which I have a mild case of). She represents the acceptance of flaws and failure, showing that when we finally do this great, powerful things can happen.
The whole experience was incredibly mind altering and where I had previously been using other bodies in my work I finally realised that my own body signified the same things, generic success in the sense that it’s able, relatively fit and white. I had previously wanted to train myself to the standard of a bodybuilder and use this point from which to create work and a discourse, however I now realise there is much a more interesting space in which to do this with my body as it is now. This has prompted me to do a performance myself which I will talk about in my next post.